Be that as it may, this line of thought has been disproved by religious Muslims expressing that Iltutmish would have never covered his child in a structure which had once decorated religious structure of barbarians, i.e. Hindus.Nasiru’d-Din was accepted to be a Pir, Sufi and consequently incredibly loved – till date.
Once, out of the sepulcher we see the western divider has been obviously outlining Kaaba with an abundantly beautified white marble mirab at the focal point of a fluted pillared verandah. It is very intriguing to see the size of utilization of white marble, just on the grounds that that amid this period the utilization of marble was an extremely constrained undertaking.
The structure is a one of its kind in Delhi. There are obvious amalgamation and blending of structural styles that can be noted. The minute one enters the tomb, one is welcomed by an octagonal raised stage, which is really the top of the grave. It is entered through a little opening on its southern side.
As you enter the tomb and the eyes change in accordance with the light you see that there is a major headstone on the west showing where Nasiru’d-Din is covered with two littler graves other than him. There is a stark contrast in the level of enhancement in the grave between that is seen outside.
It is intriguing to note that the tomb is developed in a way that despite the fact that individuals going to the tomb would need to enter the chamber from a larger amount, they need to curve, bow down as they move down – an approach to ensure individuals offer their regards as they enter.