Noticeable to masses and comprehended by them for its oversimplified imagery, the principal Islamic structure inside the Qutub Complex, “Quwwat-ul-Islam” (signifying “may of Islam”) mosque grandly remained as an image of strength. It remained for the capacity of the trespasser to wipe-out the recognizable and soothing horizons of Delhi in this manner making tangible hardship to its occupants. This was done to break the soul of the tenants and diminish or disable any odds of resistance.
Keeping in mind the end goal to declare his expectations noisy and clear, Aibak shamelessly set up an engraving in Persian on the internal eastern passage that “the mosque was worked by the parts taken by annihilation of twenty-seven Hindu and Jaina sanctuaries”. Either because of lack of time, accommodation or purposely, the plinth of the sanctuary worked by the Hindu rulers were left in place made the fantasy of a prevailing mosque inside the borders of a sanctuary (of the crushed individuals).
In an uneven merger, the effective deception of a forceful religion assuming control over a serious however non-forceful religion was finished. This mosque remained the image of Islamic mastery. This affiliation was capable and consequent sultans likewise needed to have a stake in its imagery. It was extended by Shams-ud-noise Iltutmish and Alauddin Khilji.
Generally, Quwwat-ul-Islam mosque is reminiscent in style and plan of the Arhai-racket ka Jhompra or Ajmer mosque at Ajmer, Rajasthan, likewise worked by Aibak amid a similar time, additionally built by destroying before sanctuaries and a Sanskrit school, at the site.