The way to comprehension the Apocalypse is to practice it by making utilization of it as a progression of otherworldly activities that stir further levels of cognizance. The seven letters to the houses of worship, the seven seals of the fixed book, the seven trumpets and the seven vials connote a course of profound review.
To comprehend those reviews, one must place himself in a condition of cognizance reasonable to getting disclosures: focus, internal hush, awareness interfacing with sub-awareness, trailed by outlining what has been realized. Such exertion at blending, so settled in the Masonic translation of images, is incongruent with narrow mindedness. Or maybe, it is highlighted by a feeling of progress; a mindfulness that nobody man, one rationality, or one religion encapsulates the whole truth. All that is, or ever was, is not and never will be known completely.
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In Freemasonry, there are no hypotheses; there is just understanding, including the experience of translating images. Otherworldly experience is the root; the experience of procuring information might be viewed as the sap;
and putting into practice the lessons gained from the translation of images constitutes the wood. A critical lesson in such manner might be gotten from the rich imagery found in the book of Revelations, otherwise called the Apocalypse of Saint John.